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The Journal of Japanese Language Literature Studies > Volume 7(1); 2018 > Article
Border Crossings: The Journal of Japanese-Language Literature Studies 2018;7(1): 185-200.
doi: https://doi.org/10.22628/bcjjl.2018.7.1.185
The Beginning of the Topic of Poem in the Early Edo Period
近世初期における詩題俳諧の発端 ――
Correspondence  ChiaHui HUANG ,Email: koukae74@gmail.com
Published online: 30 December 2018.
Copyright ©2018 The Global Institute for Japanese Studies, Korea University
This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
As Chinese poetry gained popularity in literary circles in the Early Edo Period, Matsuo Bashō began to compose Chinese poetry-based haikai (shidai haikai), eventually including them in Minashikuri. However, Minashikuri, including Bashō’s shidai haikai, tended to follow the trends of Chinese poetry. Arano, highly regarded as one of Bashō’s key haikai, was published after Minashikuri. The shidai haikai in Arano not only followed Chinese poetic styles and trends but also attempted to develop or translate Chinese poetic content. This development introduced new avenues in the compositions of shidai haikai. The present study explores the origins of Chinese poetry-based haikai in the Early Edo Period. Despite its limitations, it is hoped that this research serves to clarify the structure of shidai haikai.
Keywords: shidai haikai, Matsuo Bashō and his Pupils, Minashikuri, Arano

キ―ワ―ド: 詩題俳諧, 松尾芭蕉と蕉門,
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