The Meeting of Haruki Murakami and Diverse Cultures :Interpretations of Murakami’s Work around the World Edited by Hitoshi Ishida, Antonin Bechler (Seikyusha, January 2020) |
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Masato NIHEI |
Graduate School/Faculty of Arts and Letters Tohoku University |
石田仁志/アントナン·ベシュレール編著 文化表象としての村上春樹 世界のハルキの読み方 |
仁平政人 |
(日本)東北大学大学院文学研究科准教授。専門は日本近現代文学。 |
Correspondence
Masato NIHEI ,Email: masato.nihei.d6@tohoku.ac.jp |
Published online: 30 December 2020. |
Copyright ©2023 The Global Institute for Japanese Studies, Korea University |
This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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ABSTRACT |
This book is comprised of a collection of papers from two international symposiums on Haruki Murakami. The papers were written by 22 scholars from Japan, France, England, Italy, the United States, and Taiwan. They adopt a variety of approaches to Murakami’s work, and what emerges is a phenomenon that changes in the context of different cultures. One of the features of the book is that many of its authors offer unexpected ways to link Haruki Murakami’s work with that of other Japanese writers. This feature encourages readers to revisit Murakami’s oeuvre and to discover new dimensions in it. |
Keywords:
Haruki Murakami, World Literature, Cultural Representation, Comparative Literature, Adaptation
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キ―ワ―ド:
村上春樹, 世界文学, 文化表象, 比較文学, アダプテーション |