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The Journal of Japanese Language Literature Studies > Volume 15(1); 2022 > Article
Border Crossings: The Journal of Japanese-Language Literature Studies 2022;15(1): 4-7.
doi: https://doi.org/10.22628/bcjjl.2022.15.1.4
The Past and Future of Taiwanese Art:A Look Back over the Past 100 Years
Postdoctoral Research Associate, Institute of History and Philology, Academia Sinica
(台湾)中央研究院歴史語言研究所博士後研究員。台湾美術 史、東アジア近代彫刻史。
Correspondence  Eka SUZUKI ,Email: ekaszk@gmail.com
Published online: 30 December 2022.
Copyright ©2022 The Global Institute for Japanese Studies, Korea University
This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
From the Japanese colonial period to the present, the question, “What is Taiwanese art?” has been asked over and over again, and a clear answer has yet to be found. This is not only a search for identity but is also rooted in the pain of Taiwan’s history, as artists address the shifting national borders and the nation state of Taiwan. In the past few years, several important exhibitions of Taiwanese art have been held. The study of Taiwanese art history, which had been a rather minor academic field, has gradually gained momentum. Today, many art historians are attempting to depict Taiwan from the perspective of the island and the many ethnic groups and foreigners who reside there. Furthermore, since many Taiwanese artists and scholars have studied and researched in Japan for over a century now, the study of Taiwanese art history will hopefully develop more actively not only in Taiwan but also in Japan.
Keywords: Taiwanese Art, Taiwan under Japanese rule, Art of the Colonial Period, Modern

キ―ワ―ド: 台湾美術, 日本統治期台湾, 植民地美術
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