The Woman in the Dunes as Border Crossings:Abe Kobo, T.S. Eliot, and Paul Bowles |
安部公房、T・S・エリオット、ポール・ボウルズ |
Kenji OBA |
九州大学大学院地球社会統合科学府 |
越境する『砂の女』 |
大場健司 |
Correspondence
Kenji OBA ,Email: kenji.oba.kyushu.university@gmail.com |
Published online: 30 June 2016. |
Copyright ©2016 The Global Institute for Japanese Studies, Korea University |
This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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ABSTRACT |
This paper is intended as an investigation of the relationships
between Abe Kōbō (1924-1993), an avant-garde Japanese novelist, and
American literature. This comparative study concentrates on the
influences of Thomas Stearns Eliot (1888-1965), an American-born poet,
and Paul Bowles (1910-1999), an expatriate American existentialist
novelist, on The Woman in the Dunes (1962) by Abe Kōbō. Little
attention has been previously given to those influences. Eliot’s The
Waste Land (1922) was translated by Nishiwaki Junzaburō (1894-1982)
and Fukase Motohiro (1895-1966) and became popular in 1950s and 60s
Japan. Kindai Bungaku (1960.8-9) published a symposium on The
Waste Land, in which Ara Masahito (1913-1979) and others discussed
Eliot's depiction of a waterless desert and sexual impotence under the
influence of the legend of the Fisher King. Abe was influenced by
Eliot and also depicted a sexually impotent protagonist in the desert.
But in contrast to Eliot, Abe insisted on nomadism, which was an
early sign of his future anarchism. Abe also wrote “disappearance” in
the desert under the influence of The Sheltering Sky (1949) by Paul
Bowles. The Woman in the Dunes and The Sheltering Sky commonly
depicted “disappearance” and holes in desert. |
Keywords:
Abe Kōbō, The Woman in the Dunes, Thomas Stearns Eliot, Paul Bowles, anarchism
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キ―ワ―ド:
安部公房, 砂の女, T・S・エリオット, ポール・ボウルズ, アナキズム |
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