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The Journal of Japanese Language Literature Studies > Volume 1(1); 2014 > Article
Border Crossings: The Journal of Japanese-Language Literature Studies 2014;1(1): 89-103.
doi: https://doi.org/10.22628/bcjjl.2014.1.1.89
Zhisong WANG
Correspondence  Zhisong WANG ,Email: wangzs@bnu.edu.cn
Published online: 30 June 2014.
Copyright ©2021 The Global Institute for Japanese Studies, Korea University
This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
As the slogan of Manchukuo’s culture and literature, when the magazine Manchuria Romantic started publication, the perspective of Chinese culture and literature in Manchukuo was absent. Needless to say, Ouchi Takao’s translation ended this deficiency. Thus, it can be said that Ouchi’s translation made great contributions to construct the conception of Manchukuo’s literature. However, surpassing the darkness of the Chinese literature in the Manchukuo, Manchuria Romantic started to emphasize the slogan of ‘Kenkoku Spirit’. In contrast, Ouchi took darkness as the character of northern literature and labor literature. He gave a positive attitude to darkness, and undertook to disintegrate the conception of Manchukuo’s literature. In this way, Ouchi’s resistance to the colonial rule of speech by his translation is elucidated
Keywords: Manchuria Romantic, Ouchi Takao, Chinese Literature in the Manchukuo, Translation

キ―ワ―ド: 満洲浪曼, 大内隆雄, 満系文学, 翻訳
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